I mainly listen to podcasts, rock n' roll and classical music from my wired iPhone and FM radio.
Thank you for your suggestion. You may be correct about Tidal. But I am not about to chase the tech to go to a particular service to get the most out of it. I was very satisfied with my base-line stereos in the previous cars mentioned tuned to their default settings etc.; I can't say the same thing for the Pro in Lucid. I was expecting something much better from a car at this price range. But, who knows, may be one day I will fall for Tidal and will get hooked.
Thanks! But I am a fanatic when it comes to platform integration. I am on only one: Apple Music (or FM). So far, this has served me very well until I got the Lucid. I think that's the clearest test of a car's stereo relative to others. Everything is the same except the car.
The best analogy I have is that you bought an incredible set of chef’s knives, but continue to eat only Mac and cheese.
You have to use the system in the way it was intended in order to get the best use out of it. I know that you may not like that, but it’s the truth.
Any high fidelity system that is built to sound *accurate* and provide an accurate representation of the source input is going to highlight every mixing mistake, every mastering issue, and will also highlight the quality of the input; if it is low quality, it will *sound* low quality. That’s actually completely intentional.
Give it some FLACs or a tidal subscription with Atmos, and it blows you away with the quality and accurate representation. It’s as if you’re in the room with the artist.
But you have to start with good input, not Kraft. My hope (and frankly, expectation) is that over time they add more options for getting high quality tracks into the car. For right now, it’s only Tidal and a USB stick; in the future I expect Apple Music, Qobuz, and others. I’d be sad if they didn’t add additional options, even if I like Tidal.
Also: if what you’re expecting is club thumping bass, this isn’t the system to do that. It will pump out *plenty*, but will still keep it *accurate* in nature, without making it sound too boomy, distorted, or allowing it to take over the other instruments. It lets you hear the music *as the artist and recording/mixing/mastering engineers intended it*, which may not be how you enjoy it.
It certainly is how I enjoy it though; as a result of all the care they put in to making it as accurate and flat response as possible, I have actually started using the Lucid as a test rig for my own mixes. If I can get it to sound great in there, I can be fairly certain it will sound good once mastered; it’s equivalent and maybe better, tbh, than my studio monitors.